On Friday November 30th I’ll be speaking at the music department at UW Madison. Here’s the text of my talk. I’ve copied the introduction below. “Artistic success in the contemporary Euroethnic art world is perceived by all as the payoff…
Here’s a list of all the stuff I did, professionally, this year. I’m using this as the building blocks for my annual self-evaluation for work, so if I get a bit obnoxious discussing impact, that’s why. Research and Writing The…
Here are some initial, very first-drafty thoughts: I moved last summer, and was fortunate enough to be able to sell my old washer and dryer and get brand new ones; the new apartment came with a fancy, nearly new dishwasher….
At this year’s American Studies Association meeting I’m on a panel with a bunch of other amazing pop music studies scholars on Friday afternoon November 9th from 2:30-3:40. I’m only talking for about 10 minutes, but here is the text…
My SPEP paper this year is on Friday October 19th in the afternoon. It’s titled “The Biopolitics of Vibratory Resonance,” and it’s kind of a mashup of the intro and the new materialism chapter of The Sonic Episteme. Here’s the…
In celebration of the 30th anniversary of their “Alternative” (nee “Modern Rock”) chart, billboard recently published a piece on the disappearance of OG modern rock acts on contemporary alternative radio. The piece reports that “tunes from the ‘80s to only…
As those of you who have been reading some of the works in progress I post here know, I’m in the early stages of a book(s) on Oxford, OH modern rock radio station 97X WOXY. My own archive has been…
UPDATE: We hope to see everyone on October 9, 2018, from 4-7pm-ish at The Ginger Man in Manhattan. A small group of us are organizing an informal meetup for people in the greater NYC area who work on/are interested…
I’m working on a piece for Annie Goh and Marie Thompson’s special issue on sonic cyberfeminisms. Here’s the part where I work out my theoretical framework: In The Sonic Episteme, I argued that Jonathan Sterne’s concepts of perceptual coding and…
Here’s the first half of a conference paper. Second half to follow soon (I hope!). Is it morally permissible–or even possible at all–to enjoy artworks by artists whose beliefs and actions are racist, sexist, or otherwise oppressive? This is not…
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