That #Selfie Song–how it sounds, and a few thoughts on human capital
The Chainsmokers’ song “Selfie” is the new novelty song that everyone (or, almost everyone) loves to hate. In this Fact Magazine critics roundup, the song is called everything from “a low point…even for EDM,” to the one thing worse than…
Phased Out: Resilience, Melancholy, & Feminist “Bad Vibes” (aka my 2013 SPEP talk responding to Ewa Ziarek)
Even though this is specifically targeted as a response to Ewa Ziarek’s fabulous new book Feminist Aesthetics & The Politics of Modernism, this paper will be of interest to those of you who have been following my work on resilience,…
Sound Body: Ohio abortion laws, Wendy Davis, & Rachel Jeantel
A number of recent events led me to think about the way women’s relationship to the state and to citizenship/civil personhood is constituted in and through sound. I also want to think about the technologies that help women’s bodies make…
Re-Viewing Neoliberalism–Full text of my CAA 2013 paper
I’m presenting a talk next Wednesday afternoon at the College Art Association meeting in NYC. The title is “Re-Viewing Neoliberalism.” I’ll be talking through the paper (because this is a talk), which you can find in full-on prose form here. I…
“Britney, bitch” and 4D sonic/affective transmission
OR: superpanoptic data profiling in “Scream & Shout” [and, as always, this is raw, unrefined writing/work in progress…] will.i.am & Britney’s “Scream and Shout” does something really musicallyinteresting. The track features Britney: she went into a recording studio to lay…
Sound Semiotics of the Kitchen
–>Here‘s a link to the Storify with all the sounds. Ideas This project is a sound- and social-media-based reperformance of Martha Rosler’s 1975 video “The Semiotics of the Kitchen.” Rosler’s work is one of the foundational texts in what…
Recent Comments